
Rocznik Komparatystyczny
Film Noir: (Re)Constructing the Definition
DOI: 10.18276/rk.2020.11-14
Cytuj
Pełny tekst jest dostępny
| ISSN: | 2081-8718 |
| eISSN: | 2353-2831 |
| Autorzy: |
Krzysztof
Antoniak
Katolicki Uniwersytet Lubelski Jana Pawła II, Lublin |
| Słowa kluczowe: | film noir gatunek styl ton moda cykl transgatunkowość definicja |
| Data wydania numeru / monografii: | 2020 |
| Liczba stron: | 13 (265-277) |
| OAI-PMH: | Metadane |
Abstrakt
Throughout the last 80 years, scholars and film critics have tried to define film noir
and come up with various theories. Some claim film noir is a genre, others classify it as
a style. The definition of the phenomenon appears to be rather elusive. In consequence,
some films are classified as noir or neo-noir even though they seem not to meet the
necessary requirements to be categorized as such. The following article examines the
most popular theories on film noir and explains why it is impossible to construct one
and final definition.
Podgląd PDF
Bibliografia (21)
- Borde, Raymond, Étienne Chaumeton. “Towards a Definition of Film Noir.” Film Noir Reader. Eds. Alain Silver, James Ursini. Limelight Editions, 1996. 17–25.
- Breu, Christopher, Elizabeth A. Hatmaker. “Introduction: Dark Passages.” Noir Affect. Eds. Christopher Breu, Elizabeth A. Hatmaker. New York: Fordham University Press, 2020. 1–28.
- Christopher, Nicholas. Somewhere in the Night. Film Noir and the American City. Berkeley: Shoemaker & Hoard, 2006.
- Conard, Mark T. “Nietzsche and the Meaning and Definition of Noir.” The Philosophy of Film Noir. Ed. Mark T. Conrad. Lexington: The University Press of Kentucky, 2006. 7–22.
- Damico, James. “Film Noir: A Modest Proposal.” Film Noir Reader. Eds. Alain Silver, James Ursini. Limelight Editions, 1996. 95–106.
- Fay, Jennifer, Justus Nieland. Film Noir: Hard-Boiled Modernity and the Cultures of Globalization. Routledge, 2010.
- Gustafsson, Henrik. “A Wet Emptiness: The Phenomenology of Film Noir.” A Companion to Film Noir. Eds. Andrew Spicer, Helen Hanson. Wiley-Blackwell Publishing, 2013. 50–66.
- Handel, Leo A. Hollywood Looks at Its Audience. Champaign: University of Illinois Press, 1950.
- Hirsch, Foster. The Dark Side of the Screen: Film Noir. Cambridge, MA: Da Capo Press, 1981.
- Kerr, Paul. “Out of What Past? The ‘B’ Film Noir.” Screen Education 32.3 (1979).
- Krutnik, Frank. In a Lonely Street: Film Noir, Genre, Masculinity. Routledge, 2001.
- Naremore, James. More than Night: Film Noir in Its Contexts. Berkeley: University of California Press, 2008.
- Palmer, Barton R. Hollywood’s Dark Cinema: The American Film Noir. Boston: Twayne, 1994.
- Park, William. What Is Noir? Lewisburg, PA: Bucknell University Press, 2011.
- Phillips, Gene D. Out of the Shadows: Expanding the Canon of Classic Film Noir. The Scarecrow Press, 2012.
- Porfirio, Robert G., Alain Silvesti, James Ursini. Film Noir Reader 3. Limelight Editions, 2002.
- Schatz, Thomas. Hollywood Genres. Formulas, Filmmaking and the Studio System. New York: McGraw-Hill, 1981.
- Schrader, Paul. “Notes on Film Noir.” Film Comment 8.1 (1972): 8–13.
- Selby, Spencer. Dark City: The Film Noir. Jefferson, NC: McFarland, 1984.
- Spicer, Andrew. Film Noir. Routledge, 2002.
- Staiger, Janet. “Hybrid or Inbred: The Purity Hypothesis and Hollywood Genre History.” Film Genre Reader III. Ed. Barry Keith Grant. Austin: University of Texas Press, 2003. 185–199.


