Rocznik Komparatystyczny


ISSN: 2081-8718    eISSN: 2353-2831    OAI
CC BY-SA   Open Access   ERIH PLUS

Список вопросов / 5 (2014)
Theaterlandschaften als Bedingungsrahmen für literarischen, intermedialen und kulturellen Transfer: Janusz Głowackis Dramen Kopciuch (Aschenkinder) und Antygona w Nowym Jorku (Antigone in New York)

Авторы: Brigitte Schultze
Johannes Gutenberg-Universität Mainz

Beata Weinhagen
Göttingen
Ключевые слова: comparative literature translation studies cultural transfer theatre landscape Janusz Głowacki
Дата публикации всего выпуска:2014
Количество страниц:37 (11-47)

Абстракт

This paper concerns translatory, theatrical etc. transfer in different theatre landscapes (especially the United States of America, the German-speaking countries, Russia and France), from the beginning of the 1980s to the first decade of the 21st century. The playwright is Janusz Głowacki (1938), one of the internationally most frequently staged Polish playwrights of the last decades. Of specific interest is the American theatre landscape – “between art and trade“ – in which Głowacki “reinvented“ and “promoted“ himself as a playwright: changing the textual make-up of his plays in reference to his translators, theatrical experience (specific stagings), new political circumstances etc. Consequently, there is no canonic, binding textual basis for translators. The production of drama and drama translation proceeds in a way that the traditional difference between source and target text is abolished. This case of “circular transfer” takes place in Głowacki’s first longer play, Kopciuch (Cinders) and his internationally most frequently staged play, Antygona w Nowym Jorku (Antigone in New York)
Скачать файл

Файл статьи