Studia Językoznawcze

synchroniczne i diachroniczne aspekty badań polszczyzny


ISSN: 1730-4180    eISSN: 2353-3161    OAI
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Список вопросов / t. 13, 2014
Barwy w twórczości Bolesława Prusa

Авторы: Magdalena Czachorowska
Uniwersytet Kazimierza Wielkiego w Bydgoszczy
Ключевые слова: Bolesław Prus barwy wroga przestrzeń obszar przyjazny dla pisarza
Дата публикации всего выпуска:2014
Количество страниц:16 (51-66)

Абстракт

The world of Bolesław Prus, both real and fi ctional, feature, was divided into two spaces: the fi rst – hostile, alien, unloved, vast and unknown and the second – secure, kind, accepted, limited and frequently visited by the writer. He tolerated the former, because he had to, because it existed, because it was the immanent part of the plot of a literary work and it was diffi cult for the writer to escape from setting at least one of his works in the countryside; the latter was treated as his kingdom, he liked to be there, felt confi dent so it is not surprising that his characters were placed there most eagerly. The unfamiliar terrain to the writer is a world of vast territories, expanded both horizontally and vertically. The area which was friendly to Prus was bordered with the walls of the fl at – real or created or extended down the streets of a town, especially Warsaw. The caesura between these worlds was at the same time a colour perception border line in the life and works of Bolesław Prus. This article tackles the notion of the differences in perceiving colours in both of the worlds.
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Библиография

1.Bachórz J., Wstęp do B. Prus „Lalka”, Zakład im. Ossolińskich Wydawnictwo PAN, Seria I, nr 262, s. LXXX, Wrocław 1984.
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3.Czachorowska M., Wyobraźnia pisarska Bolesława Prusa i Stefana Żeromskiego na przykładzie słownictwa topograficznego i nazw barw, Bydgoszcz 2006.
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