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Studia Maritima

Studia Maritima
Vol. 31 2018
OpenAlex

For the whole journal, according to OpenAlex.

Citations
48
Publications
148
H-index
2
I10-index
0
Mean citedness (2 years)
0.00
Citations received by year
Journal citation chart. Exact values are available in the table below. 2017: 0 2018: 1 2019: 1 2020: 4 2021: 1 2022: 5 2023: 7 2024: 14 2025: 5 2026: 4 2017 2026
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Citations received by year
YearPublicationsCitations
2017130
2018131
2019111
202084
202181
2022125
2023137
2024814
2025125
202604

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Publications and citations cover records linked to this journal in OpenAlex. H-index is the largest number h of publications with at least h citations each. I10-index counts publications cited at least 10 times. The chart shows citations received in each year; the current year is incomplete. Coverage may differ from WNUS and other services.

The 2-year mean is an OpenAlex metric. It is not the Clarivate Journal Impact Factor.

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ILLVIRKJAR OK ÓSKÍRÐIR. EIRÍKSDRÁPA BY MARKÚS SKEGGJASON AS AN EXAMPLE OF USING THE MOTIF OF THE SLAV-PAGAN IN THE SCANDINAVIAN MEDIEVAL LITERATURE

DOI: 10.18276/sm.2018.31-02
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Abstract

The article presents Eiríksdrápa, a poem dedicated to Erik the Good, king of Denmark (1095–1103), written by Markús Skeggjason, an Icelandic poet. The poem graced the visit of Jón Ǫgmundarson in Lund w 1105, where the local archbishop Gizurr ordained him Bishop of Hólar. The poem glorifies King Erik’s achievements that indicate the Christian character of his rule, which was additionally confirmed by obtaining consent to create a new Archdiocese in Lund and by the king’s pilgrimages to Rome and the Holy Land. The Christian dimension of Erik’s rule is also reflected in the motif of his military actions against the pagan Slavs; it occupies a prominent place in Markús’s poem and is analysed in the present article. The motif depicts the Slavs as traitors (svikmenn) and pagans (heiðnar), who were a threat to the peace in the kingdom. Erik’s lack of mercy to them proved his just and pious rule in Denmark. The motif in question turned out to be very useful in the process of building up an image of a Christian ruler; on the other hand, it shows the artistic skills of Markús, based on the oeuvre of other poets who also described the pagan Slavs.
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