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Rocznik Komparatystyczny

Rocznik Komparatystyczny
10 (2019)
OpenAlex

For the whole journal, according to OpenAlex.

Citations
180
Publications
249
H-index
6
I10-index
3
Mean citedness (2 years)
0.15
Citations received by year
Journal citation chart. Exact values are available in the table below. 2017: 3 2018: 4 2019: 24 2020: 44 2021: 20 2022: 15 2023: 14 2024: 17 2025: 12 2026: 13 2017 2026
Show data table
Citations received by year
YearPublicationsCitations
2017203
201804
20192624
20203244
20211420
20221615
20231614
20241317
2025012
2026013

Data retrieved:

What do these numbers mean?

Publications and citations cover records linked to this journal in OpenAlex. H-index is the largest number h of publications with at least h citations each. I10-index counts publications cited at least 10 times. The chart shows citations received in each year; the current year is incomplete. Coverage may differ from WNUS and other services.

The 2-year mean is an OpenAlex metric. It is not the Clarivate Journal Impact Factor.

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“Things Have Moved on in the South,” Or the Art of Forgiveness as in Three Billboards Outside Ebbing, Missouri by Martin McDonagh (2017)

DOI: 10.18276/rk.2019.10-05
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Abstract

Martin McDonagh’s 2017 film entitled Three Billboards.. has been critically hailed as the film “about vengeance, violence and the acceptance of death,” controversial mainly “for its handling of racial themes” and considered “empty of emotional intelligence” as well as “devoid of any remotely honest observation of the society it purports to serve.” How come, then, that yet another embodiment of the U.S. South as culture’s “bad guy,” has managed to win so many accolades, including Oscar nominations (7) and Oscar awards (3) as well as e.g. 4 Golden Globe awards or 5 BAFTA awards? My paper attempts to approach this question by claiming that the film successfully “advertises,” much as its titular billboards do, and on all levels of its cultural production, contemporary southernness as the art of forgiveness. I am curious to see if and how such a vision of the South lets the region off the hook as culture’s aberration.
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Bibliography

  1. Bradshaw, Peter. “Three Billboards Outside Ebbing, Missouri – Darkly Hilarious Portrait of Disenfranchised USA.” The Guardian 12 (2018). https://www.theguardian.com/film/2018/jan/12/three-billboards-outside-ebbing-missouri-review-frances- mcdormand [accessed: 20.03.2019].
  2. Girgus, Sam B. Levinas and the Cinema of Redemption. Time, Ethics, and the Feminine. New York: Columbia University Press, 2010.
  3. Gleeson-White, Sarah. “Revising Southern Grotesque: Mikhail Bakhtin and the Case of Carson McCullers.” The Southern Literary Journal 33.2 (2001): 108–123.
  4. O’Connnor, Flannery. “Some Aspects of the Grotesque in Southern Fiction.” Mystery and Manners. Occasional Prose. Selected & Edited by Sally and Robert Fitzgerald. New York: Farrar, Straus and Giroux, 1969 (1957). Kindle edition. Loc. 336–469.
  5. Röttger-Rössler, Birgitt, Jan Slaby. Affect in Relation. Families, Places, Technologies. London–New York: Routledge, 2018.
  6. Segrest, Mab. “Southern Women Writing: Toward a Literature of Wholeness.” Eadem. My Mama’s Dead Squirrel: Lesbian Essays on Southern Culture. Ann Arbor: Firebrand, 1985. 19–42.
  7. Spiegel, Alan. “A Theory of Grotesque in Southern Fiction.” The Georgia Review 26.4 (1972): 426–437.
  8. Three Billboards Outside Ebbing, Missouri. Dir. Martin McDonagh, 2017.
  9. Wilkinson, Alissa. “How Three Billboards Went from Film Fest Darling to Awards-Season Controversy.” Vox, 22 (2018). http://www.vox.com [accessed: 20.03.2019].