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Rocznik Komparatystyczny

Rocznik Komparatystyczny
4 (2013)
OpenAlex

For the whole journal, according to OpenAlex.

Citations
181
Publications
250
H-index
5
I10-index
3
Mean citedness (2 years)
0.12
Citations received by year
Journal citation chart. Exact values are available in the table below. 2017: 2 2018: 4 2019: 25 2020: 43 2021: 18 2022: 12 2023: 13 2024: 20 2025: 15 2026: 16 2017 2026
Show data table
Citations received by year
YearPublicationsCitations
2017202
201804
20191725
20203243
20211418
20221612
20231613
20241320
20251315
2026016

Data retrieved:

What do these numbers mean?

Publications and citations cover records linked to this journal in OpenAlex. H-index is the largest number h of publications with at least h citations each. I10-index counts publications cited at least 10 times. The chart shows citations received in each year; the current year is incomplete. Coverage may differ from WNUS and other services.

The 2-year mean is an OpenAlex metric. It is not the Clarivate Journal Impact Factor.

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Mr Cogito Tells Crow about Spinoza but Crow Goes on Laughing: “Civilization” and “Barbarism” in Zbigniew Herbert’s Mr Cogito and Ted Hughes’s Crow

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Abstract

Zbigniew Herbert (1924-1998) and Ted Hughes (1930-1998) are not often compared in critical studies, though—as Terry Gifford claims—Herbert was one of several Eastern European poets who influenced Hughes’s work. In this paper, I refer to Hughes’s remarks on Eastern European poetry and present the possible reasons for Hughes’s admiration of Herbert at the end of 1960s. I wish to present Herbert’s and Hughes’s poetry as introducing certain new qualities into post-war European poetry. However, the main aim of my work is to juxtapose the protagonists of Herbert’s and Hughes’s collections, Mr Cogito (Pan Cogito, 1974) and Crow (1970), thus initiating a kind of dialogue between the “civilized” figure of Herbert’s Mr Cogito and the “barbaric” figure of Hughes’s Crow. I examine how “civilization” (especially Christian civilization) is perceived through the lenses of two contemporary poets – one from the West and the other from the East.
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