| Year: | 2024 |
| # | Title | Page range | Authors | Actions |
|---|---|---|---|---|
| * |
Spis treści(Table of contents) |
2 (3-4) | --- | More |
| 1. |
The Divergent or Convergent Paths of Law and Emotions in William Shakespeare’s Plays. Introductory Remarks |
14 (7-20) | Katarzyna Jaworska-Biskup | More |
| 2. |
Law, language, and Anxiety in Shakespeare |
18 (23-40) | Nóra Pethő | More |
| 3. |
Retributivism Gone Mad: Shakespeare’s “Measure for Measure” |
24 (41-64) | David Richards | More |
| 4. |
“The Sense of Death is Most in Apprehension” Law and Death in Augustine, Donne and Measure for Measure |
15 (65-79) | Terry Reilly | More |
| 5. |
“Fie upon the law”: The Thomistic Perspective on Justice and Mercy in The Merchant of Venice |
18 (81-98) | Mateusz Godlewski | More |
| 6. |
Reflections of “Otherness” in William Shakespeare’s Antony and Cleopatra |
17 (99-115) | Katarzyna Jaworska-Biskup, Maciej Jońca | More |
| 7. |
The Rape of Lucrece and the History of Shame |
15 (117-131) | Anna Czarnowus | More |
| 8. |
The Emotional Escalation and Decision Making: Tracing the Path to Tragedy in ‘Romeo and Juliet’ |
13 (133-145) | Ding Duczek | More |
| 9. |
The Ambiguity of Milk: Lactation and Maternal Identity in Shakespeare’s Macbeth |
13 (147-159) | Hanna Gęba | More |
| 10. |
“I Play the Devil.” Theodicy and Kingship in Shakespeare’s The Tragedy of Richard the Third |
19 (161-179) | Cameron Barrows | More |
| 11. |
Czy milkną muzy, gdy grają armaty? Perspektywa antropologiczna w romansie Adam i Ewa Sergiusza Piaseckiego |
15 (183-197) | Jakub Horbacz | More |
| 12. |
Nowy kierunek badawczy? Uwagi na marginesie monografii Joanny Kamień, Prawo i literatura jako kierunek filozoficznoprawny, Wydawnictwo Uniwersytetu Gdańskiego, Gdańsk 2024, ss. 407 |
11 (199-209) | Michał Lewandowski | More |
| 13. |
W kręgu filozofii egzystencjalnej. Uwagi wokół Petera Sloterdijka książki pt. Stres a wolność – artykuł recenzyjny |
10 (211-220) | Michał Peno | More |
