Rocznik Komparatystyczny


ISSN: 2081-8718     eISSN: 2353-2831    OAI    DOI: 10.18276/rk.2018.9-04
CC BY-SA   Open Access   ERIH PLUS

Issue archive / 9 (2018)
Poetic Musicology among Musical Discourses: The Poet as a Listener

Authors: Iwona Puchalska
Jagiellonian University
Keywords: comparative literature intermediality Polish poetry in 20th century Adam Zagajewski Julia Hartwig musicology musical analysis reception of music transcription of music aculogy
Data publikacji całości:2018
Page range:19 (61-79)
Cited-by (Crossref) ?:

Abstract

This paper analyses selected examples of Polish poetry from the 20th century devoted to music (poems by Adam Zagajewski and Julia Hartwig), placing them in the context of the musicological discourses that exist today, particularly the auditive discourse. Poems devoted to music are treated as cultural statements – evidence of the reception of music. The concept of “poetic musicology” elaborated by Anna Barańczak in the 1970s, still one of the most valid and important strategies for speaking about music, has been updated and revitalised, placed in the space of culture, particularly in the area of Polish human sciences, where there is an exceptionally rich and diverse poetic output related to music.
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